Swimming
1999 All
Music Guide Pick: "Best of Artist"Politics, religion, intrigue, mystery, love, and even sexy Bible stories — another passionate mix from French horn virtuoso/composer Tom Varner. Features Chick Corea's angular altoist Steve Wilson, bassist Cameron Brown (Joe Lovano's current bassist and veteran of the Don Pullen-George Adams Quartet), and violinist Mark Feldman in a mini "chamber" spotlight. As Mojomagazine says, Tom Varner is one of "the most enlightened performers in New York jazz."
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Musicians
Tom Varner, French horn · Steve Wilson, alto
saxophone · Tony Malaby, tenor saxophone · Cameron
Brown, bass · Tom Rainey, drums.
With special guests: Mark Feldman, violin · Dave
Ballou, trumpet · Pete McCann, guitar.
Seven Miniatures for Mark Feldman
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Reviews
"...the strongest music of the decade just ended." —Bob Blumenthal, Boston Globe (6 October 2000)
"...Varner
has recruited an impressive group who are among the
hottest if not finest modern jazz musicians on the
scene today.... There's a
lot to get excited about on Swimmingas
Varner excels as a multifaceted composer who injects
a good deal of emotion and color into his work which
is enhanced by a supremely motivated
ensemble who share Varner's plight and compelling
vision. After listening to this recording several times,
it became apparent, that Varner has established a
unique jazz vocabulary. Swimming should
not go unnoticed! Highly
recommended."
—Glenn Astarita, AllAboutJazz.com
Top
10 of 1999..."Swimming is one
session in which most jazz fans can
happily immerse themselves."
—Ken Waxman, JazzWeekly.com
"[Varner]
has patiently opened the doors to a very personal American
music, drawing on jazz and other traditions and turning
out some of the best New York
records of the 90's."
—Richard Cook, Jazz
Review Magazine (Feb 2000)
"...Varner has a
Mingus-like gift for intertwining complex
counter-melodies in a manner that's more soulful
than acrobatic. This approach creates countless opportunities
for inspired improvisation ... Swimming is a
marvel of cohesive ensemble writing and playing ..."
—Nate Chinen, Philadelphia
City Paper (3 Feb 2000)